Father’s Day is next week, and my favorite bookstore is full of cards for the occasion. Some are funny, some are tender, and they all make me a bit sad, remembering my Dad, and a bit happy, remembering my Dad. Like many men of his generation he served in World War II, and I probably wouldn’t be here writing this if that hadn’t been the case. He was born and raised in Brooklyn, my Mom was born and raised in a tiny town in Texas, and they only met because the Army Air Force stationed him in Amarillo Texas. This fact has often led me to muse that the purpose of war is not world domination, but rather the stirring up of the gene pool. It would explain why, despite all these millennia of killing each other, there are more of us all the time.
After the war they worked their way back to New York, to a house in the suburbs and, eventually, four children. This was Dad’s favorite picture of the first two of us – me and my older sister. Dad called us his “hobos.” I remember that hat, which I wore for years until either I outgrew it or it fell apart. There has never since been a hat so fine to wear.
Dad was a wonderful photographer, shooting black and white film and making gorgeous prints. I used to watch him in the darkroom, waving his hands between the enlarger and the photographic paper, a magician altering exposures for emotional depth. I always thought his prints were museum worthy but, trained as an engineer, he denied being an artist. He always encouraged and supported me in my own work as an artist and poet, and claimed he had no idea where I got it from. He said he “didn’t get” poetry. Then my Mom slid into dementia, and I showed him a poem I wrote about it. And he said, “Now I get poetry. It’s like why I take black and white pictures instead of color.”
He had other hobbies, too – a wood shop, a metal shop, restoring antique cars, shooting at a rifle range. He taught me to shoot what we called my mother’s .22, though I never saw her shoot it. When age made it too hard for him to use his shop equipment, he built model ships. I have his model of The Victory here, in a town unexpectedly suitable for the name. I have many of his custom-made tools, too, repurposed for my crafts. Writing this, I can see where I got my propensity for running many creative outlets at once.
He also gave me my love of classical music, which was always playing when he was home. He gave me my first serious camera when I was a teenager, and this is a photo I took of him with it. He looks – well, a little amused, a little proud, a little indulgent. This is how I remember my father’s face; a face it always made me happy to see. Happy Father’s Day, Dad.
What Heaven Would Be Like
In my father’s heaven, there would be
perpetual restoration of antique cars.
The needed part would turn up
at the perfect moment,
just late enough
for deep satisfaction.
Authentic colors of paint
would line his garage,
real wood for the dash,
real leather for the seats,
and none of the necessary clanging
of this ecstatic work
would drown out Moussorgsky,
Tchaikovsky, or Zarathustra.
In my mother’s heaven,
there would be no workshops.
My father, coming in
from the harp-strung air,
would listen only to her,
and however wild and incredible
the stories she told,
he would believe them,
and they would be true.
published in The Kansas Quarterly





The best thing about decorating the house for the holidays is unpacking my ornaments and distributing them through as many rooms as possible. Doug helps me carry all the boxes up from the basement, and as I open them I lift out every Christmases I ever had. Which at this point is a lot of Christmases. It’s true I don’t possess actual pieces from my childhood any more, but those from my children’s childhood recall my own to me. The stars made of bread-dough clay, flowers of cornstarch clay, and god’s eyes of yarn, emerge from their careful tissue wrappings as though in a sparkling blaze, and light up the winter day. I put on Christmas music, sing along, pour myself some eggnog, and restore the ornaments to the season they were made for.
I used to make these yarn angels – it’s why I taught my daughter to make them. My children, grown now, refer to these ornaments as my Holy Relics. I hang them alongside store-bought travel souvenirs and gifts from a lifetime of friends. Every year an ornament or two breaks, or falls, or in some other way meets the end of its useful life, and every year I make something new and add it to the tree.
Recently a friend gave me a stack of books she cleaned out of her house. There was a whole set of encyclopedias and an array of books she had once used teaching English in Poland, including dictionaries and songbooks. The pages of the songbooks were large and inspiring, meant as they were for lifting voices out of paper and ink. Pretty miraculous. I couldn’t read them, but I thought they made a glorious wreath.
The encyclopedia was in English, so I can tell you the pages that made this wreath were full of Billiards and Bergamot, among other Volume Two subjects.
My new tree ornaments this year were also made of paper, this time Japanese origami paper. Another friend showed me how to fold it into pairs of flower petals, which were then glued together to make a circle. To hold the pieces together while the glue dried, I used the miniature clothespins my Dad used as clamps when he made ship models. My children, my parents, countries I have learned from, countries I have traveled to, all these cultures and all these generations fill the branches of my tree. Multiculturalism is out of fashion these days, but it’s beautiful and memorable in my living room, here at the time of year when the light prepares to come back.